Category Archives: Rogue Solutions

Dear #gamergate

Dear #gamergate,

I don’t know if you’ll read this letter. I have not written to you before. We have not really spoken.

While your message to us has, more often than not, taken either the form (and I do not mean to belittle you for it; the matter at hand is far more complex than any single

Gone Home and The Reality Effect

Gone Home.

Gone Home. This was The Fullbright Company’s famed “Story Exploration Video Game,”1 a game that I had been aching to witness, to dissect, and to analyse.

This, I already knew, were a Critic’s Kinda Game – one that would absolutely speak both to my ludological and narratological interests… only, the increasingly massive amount of criticism

Payday 2, “Death Wish,” and Binary States

Over here at The Slowdown, I like and try to produce criticism on things that I enjoy, and things that I think are good. This is often (cough, preposterously) visible on the website. This doesn’t mean, however, that I don’t just “play” games, too.

One of these games is Payday 2, the sequel to 2011’s Payday:

Video Game Criticism and the Question of S#%t

I had (erroneously) assumed that I would never, ever be writing about s#$t in video games, but after recently posting my conceptual/generic analysis of The Binding of Isaac, questions of merit, value/quality and meaning, as well as the overall relevance of video game criticism, emerged – chiefly at Rock, Paper Shotgun, as usual, the Mecca of

2K Loves Me, Loves Me Not, Loves Me!

Ever since the BioShock 2 launch, 2K Games have been giving PC players high blood pressure and ulcers thanks to a laundry list of problems with the game, ranging from its Games for Windows Live integration and DirectX issues to the infamous “Rapture Metro” map pack, giving much credence to the view that the game